More thoughts by Natasha

Here's what I linked to last time.

Here's more of Natasha's thoughts on RB. (Why didn't they just post the whole thing?)

The First Infrarealist Manifesto

“It’s four light hours to the confines of the solar system; to the closest star, four light years. An excessive ocean of emptiness. But are we really sure there’s only emptiness? We only know that there are no stars shining in that space. If they exist, would they be visible? And if there are bodies that are neither luminous nor dark? Couldn’t it be that on the celestial maps, the same as on those of Earth, the star-cities are indicated and the star-villages are omitted?”
— Soviet science fiction writers scratching their faces at midnight.
— The infrasuns (Drummond would say the happy proletarian fellows).
— Peguero and Boris alone in a lumpen room having premonitions of the wonder behind the door.
— Free money.

In 1976, when Roberto Bolaño was 23, 24 years old and living in Mexico, he drafted the first* manifesto of Movimiento Infrarrealista de Poesia, a poetry movement that inspired the visceral realism (or vicerealism) movement in The Savage Detectives. Along with other poets, Bolaño and Mario Santiago banded together to form and lead the infrarrealistas; their acknowledged stand-ins in the novel were Arturo Belano and Ulises Lima.

The manifesto was titled “Déjenlo Todo, Nuevamente” and could be found in original Spanish here.

Excerpts of the manifesto in English were quoted in many reviews of Bolaño’s books. The only complete English translations that I found online were in two sites:

Abandon Everything, Again
Give It All Up Again

The activities of the infrarrealistas in their heyday were described in the following links:

“Bolaño in Mexico” by Carmen Boullosa
Interview with Mario Santiago
“The Great Bolaño” (pdf) by Francisco Goldman
“Interviewees” (Spanish links) by Jeremy
Review of Bolaño Infra in Caravana de recuerdos

* There’s another manifesto (“Por un arte de vitalidad sin límites”) written earlier in 1975 by José Vicente Anaya.

A crime from the cardinal's archives

“Experimentos Bacteriologicos” is the seventh episode of Los Archivos del Cardenal http://www.tvn.cl/programas/losarchivosdelcardenal/2011/ , a gripping television series that presents fictionalized accounts of some of the cases documented by the Catholic Church’s human rights department, the Vicariate of Solidarity. The series began broadcasting last month and drew some initial grumblings from conservatives—which only seemed to boost its already high ratings. The show’s writer, Josefina Fernandez, happens to be the daughter of one of the Vicariate’s lawyers and is a fan of the U.S. series Law and Order. There is, quite obviously,  an enormous stockpile of chilling real life events for the show’s scripts.

This most recent episode is based in part on the activities of Mariana Callejas and Michael Townley, a Chilean-American couple who worked for the regime’s secret police agency, the DINA. Callejas often held literary gatherings at their home, sometimes hosting her guests overnight during the curfew while the DINA used the premises not only as a makeshift lab but also to hold and interrogate political detainees.  The late Chilean novelist Roberto Bolano also included this material in his novel By Night in Chile, calling Callejas  “Maria Canales” and Townley “Jimmy Thompson”.

>>Read more

Vásquez, Parra, Sada (links)

At READIN, Juan Gabriel Vásquez's essay on the how and why of novel reading, translated by Jeremy.

At Ricardo Blanco's Blog, translations of Nicanor Parra's poetry by Richard Gwyn.

At the Paris Review Daily, a memorial to Daniel Sada by Francisco Goldman.

Borges!!!

Three conversations with Borges by the Argentine poet Osvaldo Ferrari, translated by Norman Thomas di Giovanni:

On Argentine Identity
The Inveterate Traveller
On Order and Time

The Maker (1960)

Foreword: To Leopoldo Lugones
The Maker
Dreamtigers
Conversation About a Conversation
Toenails
Shrouded Mirrors
Argumentum Ornithologicum
The Captive
The Effigy
Delia Elena San Marco
A Conversation Between Dead Men
The Plot
A Problem
A Yellow Rose
The Witness
Martín Fierro
Transformations
A Parable of Cervantes and Don Quixote
Paradise, XXXI: 108
Parable of the Place
Everything and Nothing
Ragnarök
Hell, I: 32
Borges and Myself

Museum [?]

Of Exactitude in Science
The Dagger
Afterword