Sebald's ideal translator

Admittedly, he did not say too much. He was not always listening, often dozing during the papers and discussions that were so revealing to a greenhorn like me. Sebald’s appreciation of literary translation was, it has to be said, rather grudging. The highest praise I heard all weekend from Sebald was in a discussion of – what else? – the challenge of translating long German sentences into English. Sebald was adamant that these long sentences can be translated. What really annoyed him was when the beginnings of clauses used ‘that’ rather than ‘which’ as a conjunction, a failing he found in the new collected translations of Borges. Yet as proof that translators can find the right mechanisms to delay the end of the sentence’s flow he cited the translations of Heinrich von Kleist into English, saying they were “sehr ordentlich” (“as they should be”).

– "Among Translators: W.G. Sebald and Translation" by Anthony Vivis, Christine Wilson and Stefan Tobler, introduced by Jo Catling, in In Other Words, Issue 38 [download link (pdf), via]

Anticipated reading events

Dolce Bellezza's The Japanese Literature Challenge 7
1 June 2013 to 30 January 2014



Winstonsdad's Thomas Bernhard Reading Week
1-7 July 2013



Caravana de recuerdos's 2013 Russian Reading

State of translation

We exist in a constant state of translation. We just don’t like it. We don’t like to be reminded that we are translating this experience. Translators remind us of our relationship with language the way not everyone is comfortable with.

—Junot Díaz talks about the translations of his books in various languages (in The Buenos Aires Review)

"The First Night of Interrogation" (poem)

J., a friend of mine who runs a printing press published this collection of poems by the activist Axel Pinpin. Tugmaang Matatabil is a powerful piece of prison literature. The exclamations of Pinpin’s poems lit and ignite one’s perception of the systemic and systematic abuses of power by those in power. It takes guts to convert this personal detestation of corruption into subversion and to fashion from it an indictment of human rights violation committed by the government. The poems renew the tradition of resistance and protest in the writings of National Artist Amado V. Hernandez. 

"Unang Gabi ng Interogasyon" (The First Night of Interrogation) is a key poem in the book. The poet wrote the following as a footnote to the poem:

This poem was extemporaneously recited by the author at the end of his interrogation on the night of April 28, 2006, in an unidentified place in Metro Manila (near the airport and railroad tracks). The writer was challenged by unknown armed men to recite a poem when they learned that he was a poet. He recited this while blindfolded, handcuffed at the back, and with a gun pointed at his head. The poet tried to recall the poem from that time and he first wrote it on the 9th of November 2006 when he was already in prison.

Sebald extract

If he nevertheless persevered with writing, then only, as Jean Starobinski notes, in order to hasten the moment when the pen would fall from his hand and the essential things would be said in the silent embrace of reconciliation and return. Less heroically, but certainly no less correctly, one could also see writing as a continually self-perpetuating compulsive act, evidence that, of all individuals afflicted by the disease of thought, the writer is perhaps the most incurable.

- Max Sebald on Jean-Jacques Rousseau